во всем виновата гадкая аудитория
Автор: Игорь НиколаевПродюсер "Вычера" Томаш Багиньский рассказывает, почему же все так плохо. Очень познавательный взгляд :-))
I had the same perceptual block when I presented Hardkor 44 [a never-made variation on the Warsaw Uprising] abroad years ago and tried to explain: there was an uprising against Germany, but the Russians were across the river, and on the German side there were also soldiers from Hungary or Ukraine. For Americans, it was completely incomprehensible, too complicated, because they grew up in a different historical context, where everything was arranged: America is always good, the rest are the bad guys. And there are no complications.
When a series is made for a huge mass of viewers, with different experiences, from different parts of the world, and a large part of them are Americans, these simplifications not only make sense, they are necessary. It’s painful for us, and for me too, but the higher level of nuance and complexity will have a smaller range, it won’t reach people. Sometimes it may go too far, but we have to make these decisions and accept them
Baginski: The audience changes, it’s not like… It all changes. I see the [quickening] of the processes Jacek Dukaj wrote about in his book After the Script. We resign from cause-and-effect chains, from linear narration. This book-like narration. When it comes to shows, the younger the public is, the logic of the plot is less significant.
Interviewer: What is significant, then?
Baginski: Just emotions. Just pure emotions. A bare emotional mix. Those people grew up on TikTok and YouTube, they jump from video to video.
Interviewer: You’re talking to such a person.
Baginski: Okay, so it’s time to be serious. Dear children, what you do to yourself makes you less resilient for longer content, for long and complicated chains of cause and effect.
Нечасто увидишь столь откровенное и прямое признание "я профнепригодный дегенерат". Здесь же отчетливо показан бич современного "котентмейкинга", начавшийся в концентрированном виде с Гомотрона: в произведении должны быть исключительно отношеньки + эмоции.
За наводку спасибо Andabatt и товарищу Пинаеву.
N.B.
"Насчет глупых зрителей: мне интересно а что будут пиздеть сейчас, после того как этим летом провалились вообще все развлекательные кинчики для "тупых" кроме постмодернисткой Барби ... и заумного Опенгеймера?
А вообще мне это всё больше напоминает постсоветскую интеллигенцию с "вокруг все идиоты, потому мы будем делать говно для идиотов, их неистово презирая"
(с) не мое, из телеграмского обсуждения откровений вычеровского продюсера